New Camera - New Problem Generic equipment discussions · Mossyback · ... · 3 · 170 · 0

Mossyback 3.91
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For the past several years I've been using an SX694 mono camera. My new camera is a ZWO ASI 533 mm. Last night was the first night out with it and I'm very impressed.

There are two settings on the camera that I don't understand as the SX694 didn't have them.

What are "gain" and "offset" and how should I use/set them?

Hank
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ThisIsntRealWakeUp 8.35
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TLDR answer for the ZWO 533:

Set your gain to 100. Set your offset to the minimum amount at which you no longer get any pixels with an ADU value of zero in your bias frames.

Non TLDR:

Speaking very loosely, gain is sort of analogous to ISO on a traditional camera. Higher gain = brighter image. You pick the gain based on looking at the gain response curves (provided with the ZWO documentation, available on any retailer's website). For the ZWO 533, the "high gain conversion mode" (a mode which gives you better dynamic range and low read noise) kicks in at gain = 100. So unless you have special circumstances, using a gain value of 100 is appropriate on the ZWO 533.

For offset: Increasing the offset essentially just shifts your histogram to the right by a fixed amount. Let me explain why this is desirable: Imagine that you take a very dark exposure (like a bias frame, perhaps). Your camera reads out the values in each pixel, but this measurement is affected by some amount of noise. Sometimes the noise makes the pixel brighter, sometimes darker. But if you're taking a dark image -- an image at which pixels are already at zero -- then a negative amount of noise just gets clipped to black. This messes up the noise profile in your image. Instead of a nice gaussian distribution, you get a clipped gaussian. (Err... is it a Poisson distribution? I don't remember. The exact distribution is unimportant). Stacking images with a clipped noise profile results in weird noise patterns. These look bad to the eye and confuse machine learning noise reduction techniques like NoiseX and DeepSNR, which are trained to expect a non-clipped noise pattern. So the "offset" setting shifts your histogram slightly to the right so that none of the darkest parts of your image are clipped to black.
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Gondola 8.11
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Gain multiplies the original signal for a "brighter Image", the same as increasing ISO in a DSLR. Keep in mind it doesn't produce more actual signal, it just makes everything brighter. You'll need to examine the performance graphs that ZWO provides to see how changing gain effects everything else. There's usually a sweet spot were you get the best balance of read noise and dynamic range.

You can think of offset as shifting the histogram the right. You need to test and find an offset where there lowest dark value is above zero. This prevents clipping the left side of the signal.
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Mossyback 3.91
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Thanks, Noah and Tony. 

Hank
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