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Recently, I switched from the ASI 2600MC to the ASI2600 MM Pro with LRGB filter wheel. It's been a complicated journey for sure. Im trying to figure out dust motes, flats etc and was really stumped. I often find numerous dust motes in my my linear images, even after I integrate flats. I use PI to get rid of them, but I always believed once you incorporated flats, the dust motes would disappear. They don't. So I went on a search of processing suggestions. For the first time, I used AI, GROK (Musk creation) to help me. Here is what I discovered and I am sharing this information with you for suggestions and comments. Clear skies. To create flat darks in PixInsight's Weighted Batch Preprocessing (WBPP) script, follow these steps: 1. **Understand Flat Darks**: Flat darks are calibration frames that match the exposure time, gain, offset, and temperature of your flat frames. They are used to correct noise in flat frames, which are typically short exposures (e.g., 1–5 seconds) taken to correct for vignetting and dust on the sensor. 2. **Capture Flat Darks**: - Take dark frames with the same settings (exposure time, gain, offset, and temperature) as your flat frames. - Cover the telescope or camera to block all light, ensuring true dark frames. - Capture enough flat darks (typically 20–50) to ensure good signal-to-noise ratio. 3. **Prepare for WBPP**: - Organize your files in a folder structure. For example: ``` /Data /Lights /Flats /Darks /FlatDarks /Bias ``` - Ensure flat darks are in their own folder or clearly named (e.g., `FlatDark_1s.ISO800.fit`). 4. **Run WBPP in PixInsight**: - Open PixInsight and launch the WBPP script (`Scripts` > `Batch Processing` > `Weighted Batch Preprocessing`). - **Add Files**: - Click the “Add Files” button and load your light, flat, dark, flat dark, and bias frames. - Alternatively, use “Add Folder” to automatically load files from organized folders. - **File Grouping**: - WBPP automatically groups files based on metadata (e.g., exposure time, filter, gain). - Ensure flat darks are recognized as matching the exposure time of your flats. If not, manually assign them: - In the “Calibration” tab, select the flat dark frames and link them to the corresponding flat frames. - **Calibration Settings**: - In the “Calibration” tab, ensure “Use master flat dark” is checked if you’re using a pre-integrated master flat dark. - If you’re using individual flat darks, WBPP will integrate them during processing. - Verify that flats are calibrated with flat darks (not regular darks) in the calibration diagram (click “Show Calibration Diagram”). - **Output Settings**: - Choose an output directory for processed files. - Optionally, enable “Generate master flats” and “Generate master darks” to create master calibration files. - **Run WBPP**: - Click “Run” to start the preprocessing. WBPP will calibrate flats using flat darks, then use the calibrated flats to process light frames. 5. **Verify Results**: - Check the output folder for the master flat dark and calibrated flats. - Inspect the log file (`log.txt` in the output folder) to confirm flat darks were applied correctly. - If issues arise (e.g., mismatched exposures), adjust file assignments or recapture flat darks with correct settings. 6. **Tips**: - **Naming**: Use descriptive file names or metadata to help WBPP identify flat darks (e.g., include exposure time or “FlatDark” in the filename). - **Master Flat Dark**: If you have a library of flat darks, pre-integrate them into a master flat dark using PixInsight’s ImageIntegration process, then load the master into WBPP. - **Exposure Matching**: Flat darks must match the flat exposure time exactly. If your flats vary (e.g., 1s, 2s), take corresponding flat darks for each exposure. If you encounter issues, let me know specific details (e.g., error messages, file types), and I can troubleshoot further! |
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That AI description got me confused ha ha When I do my flats in Nina using the flat wizard: - Slew to zenith then head outside chuck a white tshirt over the end of the scope and a light panel on top on brightness level one (have 3 brightness levels for the panel I use) - Back inside, allow Nina to automatically calculate exposure time for the histogram to be roughly 50% - Once they are done, back outside to remove light panel/tshirt and chuck the cap back on the scope - Back inside to the computer, advanced sequencer and setup however many “Smart Exposure” instructions required for however many filters I used and these will all be labelled DARKS - In PixInsight, I’ll load all the files into WBPP and the only linking I have to do is the FLATS to the LIGHTS!! I’ve found PixInsight automatically links all the darks to all corresponding frames based on filter and exposure time ….. DARKS to LIGHTS ….. DARKS to FLATS If you use the ASIAir then it’s pretty much the same process in taking the DARK FLATS in NINA as I just described I’ve always just left them labelled as DARKS when using NINA and the ASIAir This is how I do it and it’s never failed me in terms of DARK FLATS in PixInsight, they are essentially a DARK frame so just label them as such and ya should be good to go |
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him, "- In PixInsight, I’ll load all the files into WBPP and the only linking I have to do is the FLATS to the LIGHTS!! I’ve found PixInsight automatically links all the darks to all corresponding frames based on filter and exposure time ….. DARKS to LIGHTS ….. DARKS to FLATS". I didn't know that, Ill try it, thanks |
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Jeff Bennett: Give it a crack, use keywords if you’re using mono data!! I set up a single directory as follows - /Orion Nebula <——— example /Night 0 (this solely has darks that correspond to lights from my dark library) /Night 1 /Lights (light frames after being blinked) /Flats (all flats and dark flats from this night) /Night 2 …. Etc etc I’m sure you get the picture In WBPP click add directory, select the master folder which for example above would be /Orion Nebula On the RH side add the keyword NIGHT and your filter names if using any!! Make sure the filter keywords entered match what’s in the filename That should set you right up then all you need to do is fine tune Hopefully that all makes sense, its always worked for me and when it hasn’t it’s been user error |
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Sam, Im having difficulty with Flat Darks. I have made dark frames for each LRGB Flat frame (same temp, focus, Time etc). Are Flat Darks darks and for calibration belong in the Dark category? When I put mine there, they all show (.6 sec, .083 sec, etc per filter) but under darks in calibration I only see one .21 sec dark in addition to standard darks for 60 second and 120 second exposures. Do I have to add the Flat Darks using " Add Custom" ?? Im confused you can tell. I didn't have any of these issues with a MC CMOS. Also I finally found the "Chart" to map the integration. Looks like not all darks (Flat Darks are not showing. Any suggestions? Yes, I asked Grok several of these issues and I have answers for each (I'll provide if you like), but sometimes asking someone with similar interests is much better. Thanks for your patience.
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Jeff Bennett: Make sure your exposure tolerances are set correctly. In this case set it to 0. |
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"exposure tolerances". ?? Where do I find that?
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Dark flats are really only necessary if your flat frames are exhibiting some kind of amp glow like with the panasonic m chip or the 183 chip. For the current breed of bsi chips, 533/571/455 etc… dark flats are totally unecessary. If you end up with dust motes after calibrating with flat frames, then your problem isnt the calibration of flats its the flats themselves. |
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Jeff Bennett: *Jeff, 2 things - exposure tolerances for darks is in the darks tab!! Click on the darks tab along the top of the window then in the middle panel above the rejection parameters you’ll find exposure tolerances and a slider for threshold, leave the slider as it is but change the tolerance number to 0 or 1!! That should separate and group all darks into their own sub groups based on exposure time - flat darks are purely a dark frame for a corresponding flat!! To add them in PI, use the add darks button!! The name is confusing but they’re a run of the mill dark frame, so add them into PI the sane way you would for other darks |
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If the exposure tolerance function doesn’t separate the darks then adding keywords on the RH side of WBPP should fix it These 14 hour work days don’t leave me much time for anything during the week but I’m going to look at doing a YouTube video on how I set up my WBPP!! Once done I can link the video in the thread if ya want?? |
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Thank you, it must be the flats then. They seems to be added to the integration instead of subtracted from the lights.r
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Jeff Bennett: The most important thing about calibration is to understand how it works and WBPP is not a great way to see what's happening. I recommend that you back up a step and manually calibrate a full data set from scratch. For most situations, you don't need flat darks. The only time you need flat darks is for unusually long flat exposures (e.g. night flats) or for some type of sensors with "odd" response characteristics. Take your flats, darks, and bias frames and calibrate a stack of data and then blink through the stack to see how it worked. If nothing is changing, you won't see dust motes. If you are getting dust motes, that's an indication of a few problems: 1) Your system is too dirty! Carefully take it apart in a clean environment, wear a mask and clean the dust off of every single surface. Use a bright light to carefully inspect each surface before you declare it clean. Blow off any residual dust and reassemble everything. Unless you have a clean room, it's hard to eliminate 100% of the particles, but if you are careful, you should be able to get down to just one or two. In general when you are handling any equipment with an exposed optical surface, treat it like you want to keep it sterile. Bag everything and blow off all surfaces before reassembling the parts. Then use high quality vinyl tape to seal all gaps that could let dust get into your system. My ASA600 sits outside every night in a very dusty environment in Chile and it is so well sealed that I never get dust motes. 2) You will get dust mote if dust is being added or is moving around between your flats and your lights. Clean and seal your system! That should NEVER happen! 3) Your calibration data isn't right or the calibration calculation isn't being done correctly. If that's the case, then there are other symptoms like vignetting or warm pixels not being fully removed that will be evident. Once you know how calibration works and you know how to tell when it is working properly, then go back to WBPP and set it up to save intermediate results so that you can check the output. Once you have everything configured properly, then turn off the "save intermediate results" option. John |
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Thank you John. Im working through the issues now. I have permanent setup in my observatory, so dust isn't or least should be a huge issue. I shooting new darks tonight at temperature (-10). Tomorrow night I'll shoot a series of flats (LRGB). I used SGP Flats Wizard to calculate the exposure time for each filter. Hopefully it will succeed . Thank you again. Jeff
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